Here, see if you can work out what Philip Marlowe, PI, is making here. Don't cheat. Read it and see if you can work it out yourself (but I don't think it's that hard):
"What the hell's the matter with me sleeping such a lovely morning away? Ten-fifteen, huh? Well, there's plenty of time. Let's go out to the kitchen and I'll brew some coffee."
"I'm in a great deal of trouble, shamus." Shamus, it was the first time he had called me that. But it kind of went with his style of entry, the way he was dressed, the gun and all.
"It's going to be a peach of a day. Light breeze. You can hear those tough old eucalyptus trees across the street whispering to each other. Talking about old times in Australia when the wallabies hopped about underneath the branches and the koala bears rode piggyback on each other. Yes, I got the general idea you were in some trouble. Let's talk about it after I've had a couple of cups of coffee. I'm always a little lightheaded when I first wake up. Let us confer with Mr. Huggins and Mr. Young."
"Look, Marlowe, this is not the time-"
"Fear nothing, old boy. Mr. Huggins and Mr. Young are two of the best. They make Huggins-Young coffee. It's their life work, their pride and joy. One of these days I'm going to see that they get the recognition they deserve. So far all they're making is money. You couldn't expect that to satisfy them."
I left him with that bright chatter and went out to the kitchen at the back. I turned the hot water on and got the coffee maker down off the shelf. I wet the rod and measured the stuff into the top and by that time the water was steaming. I filled the lower half of the dingus and set it on the flame. I set the upper part on top and gave it a twist so it would bind.
By that time he had come in after me. He leaned in the doorway a moment and then edged across to the breakfast nook and slid into the seat. He was still shaking. I got a bottle of Old Grand-Dad off the shelf and poured him a shot in a big glass. I knew he would need a big glass. Even with that he had to use both hands to get it to his mouth, He swallowed, put the glass down with a thud, and hit the back of the seat with a jar.
"Almost passed out," he muttered. "Seems like I've been up for a week; Didn't sleep at all last night."
The coffee maker was almost ready to bubble. I turned the flame low and watched the water rise. It hung a little at the bottom of the glass tube. I turned the flame up just enough to get it over the hump and then turned it low again quickly. I stirred the coffee and covered it. I set my timer for three minutes. Very methodical guy, Marlowe. Nothing must interfere with his coffee technique. Not even a gun in the hand of a desperate character.
I poured him another slug.
"Just sit there," I said. "Don't say a word. Just sit."
He handled the second slug with one hand. I did a fast wash-up in the bathroom and the bell of the timer went just as I got back. I cut the flame and set the coffee maker on a straw mat on the table.
Why did I go into such detail? Because the charged atmosphere made every little thing stand out as a performance, a movement distinct and vastly important. It was one of those hypersensitive moments when all your automatic movements, however long established, however habitual, become separate acts of will. You are like a man learning to walk after polio. You take nothing for granted, absolutely nothing at all.
The coffee was all down and the air rushed in with its usual fuss and the coffee bubbled and then became quiet. I removed the top of the maker and set it on the drainboard in the socket of the cover.
Extract from "The Long Goodbye" - Raymond Chandler - 1953
"What the hell's the matter with me sleeping such a lovely morning away? Ten-fifteen, huh? Well, there's plenty of time. Let's go out to the kitchen and I'll brew some coffee."
"I'm in a great deal of trouble, shamus." Shamus, it was the first time he had called me that. But it kind of went with his style of entry, the way he was dressed, the gun and all.
"It's going to be a peach of a day. Light breeze. You can hear those tough old eucalyptus trees across the street whispering to each other. Talking about old times in Australia when the wallabies hopped about underneath the branches and the koala bears rode piggyback on each other. Yes, I got the general idea you were in some trouble. Let's talk about it after I've had a couple of cups of coffee. I'm always a little lightheaded when I first wake up. Let us confer with Mr. Huggins and Mr. Young."
"Look, Marlowe, this is not the time-"
"Fear nothing, old boy. Mr. Huggins and Mr. Young are two of the best. They make Huggins-Young coffee. It's their life work, their pride and joy. One of these days I'm going to see that they get the recognition they deserve. So far all they're making is money. You couldn't expect that to satisfy them."
I left him with that bright chatter and went out to the kitchen at the back. I turned the hot water on and got the coffee maker down off the shelf. I wet the rod and measured the stuff into the top and by that time the water was steaming. I filled the lower half of the dingus and set it on the flame. I set the upper part on top and gave it a twist so it would bind.
By that time he had come in after me. He leaned in the doorway a moment and then edged across to the breakfast nook and slid into the seat. He was still shaking. I got a bottle of Old Grand-Dad off the shelf and poured him a shot in a big glass. I knew he would need a big glass. Even with that he had to use both hands to get it to his mouth, He swallowed, put the glass down with a thud, and hit the back of the seat with a jar.
"Almost passed out," he muttered. "Seems like I've been up for a week; Didn't sleep at all last night."
The coffee maker was almost ready to bubble. I turned the flame low and watched the water rise. It hung a little at the bottom of the glass tube. I turned the flame up just enough to get it over the hump and then turned it low again quickly. I stirred the coffee and covered it. I set my timer for three minutes. Very methodical guy, Marlowe. Nothing must interfere with his coffee technique. Not even a gun in the hand of a desperate character.
I poured him another slug.
"Just sit there," I said. "Don't say a word. Just sit."
He handled the second slug with one hand. I did a fast wash-up in the bathroom and the bell of the timer went just as I got back. I cut the flame and set the coffee maker on a straw mat on the table.
Why did I go into such detail? Because the charged atmosphere made every little thing stand out as a performance, a movement distinct and vastly important. It was one of those hypersensitive moments when all your automatic movements, however long established, however habitual, become separate acts of will. You are like a man learning to walk after polio. You take nothing for granted, absolutely nothing at all.
The coffee was all down and the air rushed in with its usual fuss and the coffee bubbled and then became quiet. I removed the top of the maker and set it on the drainboard in the socket of the cover.
Extract from "The Long Goodbye" - Raymond Chandler - 1953


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