Originally posted by Barry O'Speedwagon
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Nope - acoustic songwriters & groups, not electric, and I only recorded our "once a month" guest nights - the other evenings were "whoever showed up". These days I wish I had recorded a few of the electric ones... like that busker in Freo that was so, so good on electric dobro (JB). We ran it non profit - although I sprang for all the tape costs out of my second business (tax ruling) / hobby (my take).
I did manage to get a few international / interstate visitors there as well as locals - I always gave them a free cassette of their gig, and quite a few released it as a limited edition to those in the trade (or in the know). I still have quite a few Harmon Kardon cassette decks in storage from that process (I did all cassettes in real time into a wall of separate decks using Maxell and TDK cassette tapes).
Nowadays we know that Ampex 10" Grand Master open reel tapes had faulty glue on their substrate for the last ten+ years before they went broke. About 2/3rds (200) of my tapes are Ampex, so recovering what I can will be a priority once my new build is finished. Luckily the other 100 or so are Maxell, TDK and Memorex - they should be OK. Ironically, the cassettes may now be better than those Ampex open reels (damn it). Losing my music room was such a disaster in more ways than one - I had only just started transferring all my recordings to "best digital at the time" 44/16. At least new ones will eventually be done at 192/24 or higher so they should be a rough equivalent to the open reels in sound quality (CDs just aren't even close). Not a bad achievement for a finance / IT / auditing dude I guess.
Now back to a cuppa (ahhhhh)
TampIt



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